Tag Archives: Maya Angelou

Maya Angelou & Martin Luther King anniversaries. What can they teach us?

Today marks a significant confluence of anniversaries. It is 90 years since Maya Angelou was born and it is also 50 years since Martin Luther King was assassinated. Two dates, two greats. Both worked for human rights, dignity and respect. Indeed, they worked together in the 1960s when Angelou worked as a coordinator for MLK’s Southern Christian Leadership Conference.

Maya Angelou

Maya Angelou - You may kill me with your hatefulness, but still, like air, I'll rise. Maya Angelou became a poet and writer after a childhood rape, teenage pregnancy, and sexuality doubts, indeed her range of occupations is rather enigmatic and curious: “Angelou drives cable cars, cooks, pimps, does exotic dancing, turns tricks, and sleeps in abandoned cars, all the while poring over serious literature.” – New Republic

She was a touring cast member of the opera Porgy and Bess and through hooking up with a South African freedom fighter moved to African becoming an editor-journalist in Egypt and Ghana during the early 1960s, the years of decolonisation. 

She had a life of adventure and yet seemingly overcame adversity at every turn by luck, love, and self-belief. Nonetheless, she seems to have spent a lot of time in her life and her writing still searching and exploring herself.

“When someone shows you who they are, believe them the first time.”

Her words, worn of experience and yet polished to be poetry, if not a little preachy, remain timeless, and she is one of the most oft-quoted people on motivational memes.

“There is no greater agony than bearing an untold story inside of you”.

Maya Angelou, I Know Why the Caged Bird Sings, 1969
Maya Angelou, I Know Why the Caged Bird Sings, 1969

She lived with many loves, had many lives, and published no less than seven autobiographies. The most famous, remains, her first autobiography, I Know Why the Caged Bird Sings, was published in 1969.

“The caged bird sings with a fearful trill
Of things unknown but longed for still
And his tune is heard on the distant hill
For the caged bird sings of freedom”

In 1972, she penned the first screenplay written by a black woman.

Receiving dozens of honorary degrees in her lifetime and a full-time professorship, despite no college degree, she was someone who succeeded irrespective of background and didn’t see “can’t” as a word in her extensive vocabulary.

“We must confess that we are the possible.”

From her time in the 1960s with MLK and Malcolm X to 2008 when she witnessed the inauguration of the first Black President in Barack Obama, though she backed Clinton, equality made limping progress. Angelou uttered then, that:

“We are growing up beyond the idiocies of racism and sexism.”

Growing up, but not yet full-grown or mature. We have a way to go.

“If you don’t like something, change it. If you can’t change it, change your attitude.”

Martin Luther King

Martin Luther King was ever the optimist, preaching love over hate, peace over war, forgiveness over resentment.

“I refuse to accept the view that mankind is so tragically bound to the starless midnight of racism and war that the bright daybreak of peace and brotherhood can never become a reality… I believe that unarmed truth and unconditional love will have the final word.”

It was a belief that may have cost him his life, and not a little opposition from other members of the civil rights movement. After President John F. Kennedy was assassinated in 1963, King said to his wife, Coretta:

“This is what is going to happen to me also. I keep telling you, this is a sick society.”

Five years later, he did indeed suffer the same fate. Fifty years ago today. 

“Human progress is neither automatic nor inevitable… Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals…Change does not roll in on the wheels of inevitability, but comes through continuous struggle.”

United in their attitude to hate

Martin Luther King and Maya Angelou, alike, defied their haters. Their responses of love, resilience, and determination, remain inspiring after their deaths. 

“You may kill me with your hatefulness,
But still, like air, I’ll rise.” – Maya Angelou

Maya spoke about being a blessing, of being a rainbow in somebody else’s cloud. MLK’s words I take as inspiration every time I speak about our response to hate, violence or bigotry:

“Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.” – Martin Luther King

There’s still much to fight for

We don’t live in a post-civil rights era, we are still fighting for equality, still needing to celebrate diversity and be welcoming and not merely tolerant of difference.

We still need twenty-first-century visionary leaders, pacifist in intent, passionate in expression, powerful in action, and political in achievement.

To the Martin Luther Kings and Maya Angelous being born today we celebrate you. To those being cut down in their prime (two teens yesterday in London), we commemorate you.

Whether you live to 39 (MLK) or 86 (Maya), make a difference, and be memorable by removing the word “can’t” from your vocabulary and choosing not to be limited by your education, sex, colour, age, or any other social categorisation. You are the difference, you are the change.

Human Rights & Writes on World Poetry Day; And Still I Rise, Maya Angelou

World Poetry Day and Human Rights

A day of beauty and soul, World Poetry Day, falls on the same day as the South Africa’s Human Rights Day, which remembers the fight against Apartheid and particularly the 1960 Sharpeville massacre of 69 black South African demonstrators and further killing of another 21 on the 25th anniversary of that day in 1985. It also became the UN International Day for the Elimination of Racial Discrimination in 1966 and today still says, “We need to fight racism everywhere, every day”. It is fitting that we celebrate human writes and rights together. Whether it’s the campaigning of organisations like the United Nations and Amnesty International, or the placards of activists, or poems of voices of discontent and history, we cannot be silent to ongoing racism, its history, and its continued scourge.

Yes we need action more than just words, but 15 years ago, at a World Conference Against Racism in South Africa, the Durban Declaration sought to combine words with action:

“People of African descent have for centuries been victims of racism, racial discrimination and enslavement and of the denial by history of many of their rights… they should be treated with fairness and respect for their dignity and should not suffer discrimination of any kind.”Durban Declaration and Programme of Action, 2001

Sadly, in 2016, we are little further forward according to several human rights experts:

“Fifteen years after the Durban Conference very little progress has been made in tackling racism, afrophobia, racial discrimination, xenophobia and related intolerance.”

Maya Angelou – be part of “the possible”

Maya AngelouMaya Angelou died in 2014 but 45 years before that, in a decade of American civil rights activism, she wrote the first of her autobiographical books, I Know Why the Caged Bird Sings (1969). The book describes her early years including racism, and a rape which led to a traumatised silence for 6 years, it goes on to document her rise from child victim to young woman, mother and adult voice.

“The caged bird sings with a fearful trill
Of things unknown but longed for still
And his tune is heard on the distant hill
For the caged bird sings of freedom”

She has become renowned as a woman full of inspiration, and love not hate, reminding us how to be better humans through her best-loved poems which she would write from a motel with, nearby, “a dictionary, a Bible, a deck of cards and a bottle of sherry in the room”.

Watch Maya Angelou read her poem A Brave and Startling Truth which she wrote for the United Nations 50th anniversary in 1995, here is a section of it:

We, this people on this mote of matter
In whose mouths abide cankerous words
Which challenge our very existence
Yet out of those same mouths
Come songs of such exquisite sweetness
That the heart falters in its labor
And the body is quieted into awe

We, this people, on this small and drifting planet
Whose hands can strike with such abandon
That in a twinkling, life is sapped from the living
Yet those same hands can touch with such healing, irresistible tenderness …

… We must confess that we are the possible
We are the miraculous, the true wonder of this world

It would be great if we, “the possible, the miraculous, the true wonder of this world”, would stop hating and discriminating.

Maya Angelou – Still I Rise

In Maya Angelou’s poem, “Still I Rise”, are the words: “Out of the huts of history’s shame”. She’s said before, the truth is that:

“A person who does not have a clue to his or her history stands a very poor chance of mapping out a future.” – Maya Angelou interview (1m40s)

She was not one to be cowed or subjugated, instead, she found her voice and gave hope to others.

The full text of her poem, “Still I Rise”:

You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
‘Cause I walk like I’ve got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don’t you take it awful hard
‘Cause I laugh like I’ve got gold mines
Diggin’ in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise

Maya Angelou 1974
Maya Angelou, 1974

Be amazing, A rainbow in someone else’s cloud

Maya Angelou also said, echoing a similar sentiment of Albert Camus:

“If you are always trying to be normal you will never know how amazing you can be.”

Perhaps, we could also paraphrase that, if you are always following the crowd, buying into cheap national and racial stereotypes you will never discover not only how amazing you could be but also how amazing others are, irrespective of the colour of their skin or some other characteristic of difference. “Human beings are more alike than unalike”, she has said.

“The thing to do, it seems to me, is to
prepare yourself so you can be a
rainbow in somebody else’s cloud.
Somebody who may not look like you.
May not call God the same name you
call God – if they call God at all. I may
not dance your dances or speak your
language. But be a blessing to somebody.”
– Maya Angelou

She wasn’t all “turn the other cheek” love, she also saw humour as a defence, and since “life’s a bitch”, the need to “go out and kick ass”.

BBC Bring Back Jeremy Clarkson? He is back but on Amazon Prime 2016

STOP PRESS: Jeremy Clarkson and Top Gear team to return

But on Amazon Prime online video streaming in 2016 not the BBC. Meanwhile Top Gear will return to the BBC but with a different team. The schadenfreude is palpable as the BBC reports  on their own loss of a profitable though oft inappropriate franchise.

In an Amazon statement, Jeremy Clarkson said:

“I feel like I’ve climbed out of a biplane and into a spaceship.”

Richard Hammond quipped:

“Amazon? Oh yes. I have already been there. I got bitten by a bullet ant.”

James May saw the perhaps double irony:

“We have become part of the new age of smart TV. Ironic, isn’t it?”

BBC suspends Top Gear’s Jeremy Clarkson amid mass Change.org petition

Whatever the “fracas” and nature of petulant millionaire star twat Jeremy Clarkson‘s “interaction” with a BBC producer, there’s nothing like a Top Gear fiasco (one of many over the years) to get the nation raging along with over 1 million signatories on a Change.org petition delivered this week by self-propelled big gun, aka tank (probably the slowest vehicle to appear in relation to Top Gear), to BBC HQ. It is just such a shame that this is what energises us and not more significant world matters.

Discover the top 5 really important petitions on Change.org to get behind instead and a bonus tribute petition for Terry Pratchett!

Has Jeremy Clarkson quit or not? Yes | No

Clarkson hinted that he was on the way out and had no fear, now that the internal inquiry is over – though not published, in berating his BBC bosses with a f*** laden foul-mouthed tirade at their idiocy at potentially ruining the Top Gear formula.

Diverse Top Gear Replacements

Suggestions to replace him have included Sue Perkins, Julian Clary, and Alan Partridge. Whilst they are all comedians, at least Perkins would not be sexist (towards women at least), neither she nor Clary would be homophobic, and any of Partridge’s foreign jokes would be obvious parody and satire. Other comedians who’ve appeared in the Star in a Reasonably Priced Car race around the Top Gear test track have included Eddie Izzard, Omid Djalili, and Sanjeev Bhaskar – all of whom would counter the alleged racism of the show.

Having Ellen MacArthur, Jennifer Saunders, or Jodie Kidd, on as the fastest women on the track would prove it doesn’t need 3 blokey blokes to present it – although that is the formula to date, and a politically correct presenter team would be as bad as the minimum female comedienne to be included on all panel shows which smacks of tokenism and harms female comedians standing in their own right.

Top Gear Matters to the BBC

Forget the impending General Election, Islamic State, Boko Haram, austerity crisis, the real serious issues of the day are the state of England cricket team – actually, that is pretty bad – and Clarkson’s latest open mouth (insert foot, boot, and massive car) bad boy laddish humour, allegedly watched by an audience almost equally split between men and women (60:40).

Jeremy Clarkson via Twitter
Jeremy Clarkson via Twitter

Top Gear, Clarkson, and his 4.63m twitter followers, are the BBC’s greatest export (yes, bigger than Doctor Who), greatest that is in financial rather than cultural terms. Bedder 6, as the anonymous company is called, helps to draw in £150m a year for BBC Worldwide from Top Gear from 150-350m viewers across 170 countries and spin-offs.

Top Gear’s Political Incorrectness

In the last 3 years Top Gear and Clarkson have scaled new heights of profitability and popularity – apparently it is 30x more likely to be tweeted about by Ukip voters -and yet, simultaneously, ploughed new depths of political incorrectness.

Just this week it was announced that in December Top Gear had somehow been cleared by the BBC of using “pikey” in a derogatory manner, to the utter dismay of representatives of Traveller communities.

The show is often no-holds-barred macho-masculine pub banter comedy that has comprised insults around race, nationality, sex, and disability. Just read some of Clarkson’s own attempts to be positive about women and yet explain the lack of female representation on the show itself:

“if one presenter on a show is a blonde-haired, blue-eyed heterosexual boy, the other must be a black Muslim lesbian. Chalk and cheese, they reckon, works. But here we have Top Gear setting new records after six years using cheese and cheese. It confuses them… Unlike furious thin-lipped feminists, I tend not to draw distinctions between men and women, apart from in bed where you really do need to spot the differences. At work, girls are just people.”

Conservative MP Maria Miller, has offered support for Clarkson, despite her being a former Disability, Women and Equality Minister. Speaking to BBC Radio 4’s The World at One, she said:

“The BBC needs to be better at managing its talent … there are other organisations that have to deal with larger-than-life characters…[he] is…a legend, not just in this country, but around the world.”

Jeremy Clarkson big screen 2006 via flickr Ben Metcalfe
Jeremy Clarkson big screen 2006 via flickr Ben Metcalfe

Legends, however, are extinct people, like the dinosaurs, something that Clarkson himself, in his column in The Sun, admits to being.

“The fact is that you can sign as many petitions as you like and call on the support of politicians from all sides, but the day must come when you have to wave goodbye to the big monsters and move on… I think it’s fair to say that nature made a mistake when it invented the dinosaur. It was too big, too violent. So one day, all the dinosaurs died and now, many years later, no one mourns their passing. These big, imposing creatures have no place in a world which has moved on.”

Does this mean that Clarkson should go the way of the dinosaurs and gas-guzzling cars? That a petition to reinstate him is as pointless as one to bring back Terry Pratchett – however, wonderful a tribute to the latter author?

Change.org Petition to #BringBackClarkson

Change.org logo
Change.org public petitions for change

A record making petition on Change.org had accelerated to nearly 600,000 signatures in barely a day (now over 1,112,000), easily eclipsing more political or ethical campaigns such as the pardon for 49,000 gay men prosecuted in the UK for acts now considered legal. The site’s popularity is such that I could not even get on to it to check the count at 10pm Wednesday night, as it was down with an “Error 502 Bad Gateway” , unless that was some political ploy due to the embarrassment of its success. Well it’s back now, seemingly the site is crashing under Clarkson’s popularity, and advocating the “Freedom to fracas” and with comments including:

“I pay my TV license to ensure that irreverent people can express themselves. If you become boarding [sic] and politically correct, you may disappear BBC.” and “A minority of over sensitive people should not ruin one of Britons [sic] favourite shows.”

I wouldn’t call allegedly hitting a producer over a lack of hot food and xenophobically referencing his Irish nationality, an act of irreverence nor suspending someone for that act, “over sensitive”. That the two most popular comments both had spelling mistakes should not lead anyone to any stereotypical conclusion. They were probably texting whilst driving their fast cars!

BBC Public Service Priorities

BBC logoAs a public service broadcaster with essentially a tax or compulsory licence fee, the BBC’s priorities should not be mere entertainment or subsidised insults.

It is remarkable that the trending twitterati are more interested in #BringBackClarkson than the all but forgotten #BringBackOurGirls. Viewers are more interested in bringing back fast cars and coarse humour than in rescuing Boko Haram kidnapped girls in Nigeria, ending FGM, freeing imprisoned journalists or teen suicides – campaigns that are now in the shadow of “a bit of a knob”, as co-presenter James May describes Jeremy Clarkson. Multiple petitions calling on the BBC to sack him have also launched, although you can be sure they won’t race to half-a-million signatures so fast, they’ve barely reached a 1000.

Be the Change.org Petitions to get behind

Some campaigns have reached a million signatures, but never so fast. For instance, a million people worldwide signed to save Meriam Ibrahim, the Sudanese woman sentenced to death for apostasy. Nearly as many called for the release of Iranian woman, Ghoncheh Ghavami, jailed for attending a volleyball match.

“You must be the change you wish to see in the world.” – Mahatma Gandhi

Bring Back Our Girls Change.org
Bring Back Our Girls Change.org

HuffPost has drawn up a list of better campaigns to get behind, though not the most important ones it could have got behind, perhaps. Why not:

And as a bonus, what about:

“Change will not come if we wait for some other person or some other time. We are the ones we’ve been waiting for. We are the change that we seek.” – Barack Obama

The limits of Satire, Comedy & Humour

In my past I’ve enjoyed Top Gear, some of the banter and car challenges, but I’ve squirmed at the sexist racist humour Humour is one thing, the question is whether it’s actually deeply held bigotry disguised as humour, or an ever-so clever parody of “UKIP white van man racism” – which will no doubt be seen as offensive to white van men. The thing about satire and parody is that they often fail, as with Comedy Central’s Colbert Report on race and trans issues, when delivered by people in the majority who’ve not experienced prejudice, whereas the Kumars making fun of being Indian is.

What makes the parody both unlikely and unbelievable is that either Clarkson is a bigot or he maintains the persona off-screen as well. To Clarkson, even his suspension is just another joke, despite knowing he was on his last warning.

I’ve done stand-up comedy myself, and made it a rule to only insult and offend myself, not others – although I can’t stop some still choosing to take offence.

Top Gear‘s humour is pub or front room banter, the kind you use when you think nobody is watching – but there are tens, if not hundreds, of millions that are.

And this is the “British values” we should be so proud of exporting? I’m all for freedom of speech, but allegedly hitting your employer’s staff, insulting other nations, and expecting to not only get away with it but get paid millions for it?

Whilst the infraction was off-air, it is no less abusive of workplace colleagues and bullying, despite it not being part of an aired programme. According to The Mirror, he called Oisin Tymon:

“a “lazy, Irish c***” before splitting his lip with a punch that left the 36-year-old with blood running down his face and needing treatment in A&E, the BBC investigation will be told.”

Hitting is not humour, and nor was it his first public punch up. If the rest of the show is very clever parody like Alan Partridge or Comedy Central, then it does not work. It is very hard to successfully satire racism, sexism, ableism and homophobia, all of which have appeared on Top Gear. All the more so when it fuels the white male entitlement patriarchy rather than challenges it.

Whilst James McDermott thinks it’s harmless fun:

“Top Gear is an escapist post modern light comedy entertainment show; the vital ingredients being Clarkson, May, Hammond and cars will keep it on the Beeb for a while to come.”

Apart from what may be a short-lived 2011 prediction of its long-term longevity, I beg to differ. Their lives on and off the screen are making stereotypical jokes, setting chauvinist poor role models, and should not be the BBC’s best export. The fact that it is popular in human rights violating China and Putin’s Russia should not be a cause for celebration if it encourages their sexism, xenophobia, and homophobia, rather than challenges it.

“If you don’t like something, change it. If you can’t change it, change your attitude.” – Maya Angelou

Jeremy Clarkson – change your attitude, everyone else sign some petitions and be the change! If we are evolved at all, it is time the politically incorrect (such a polite term for sexist racist ableist homophobes) dinosaurs died out.