Category Archives: Memorials & Obituaries

Holocaust Memorial Day principally affected Jews but also countless others

Holocaust Memorial Day, 27 January

Last 27 January I went to two Holocaust Memorial Day events. No I am not Jewish, nor were all the victims of Hitler’s Endlösung “Final Solution”, Mengele’s experiments, and the Nazi Aryan utopian dream – which was a dystopian nightmare for everyone else.

Bergen Belsen First Anniversary of Liberation 15 April 1946 "Israel and the World shall remember" © KatyJon
Bergen Belsen First Anniversary of Liberation 15 April 1946 “Israel and the World shall remember” © KatyJon

I did however study and teach Hebrew and aspects of Judaism in my past. I also visited the concentration camp, Bergen-Belsen, when I was 15. Today marks the 71st anniversary of the liberation of Auschwitz by the Soviets and Holocaust Memorial Day.

One internee at Belsen was Josef Čapek from Czechoslovakia a Cubist painter, cartoonist, writer and playwright. He wrote the utopian play “Land of Many Names” and is credited by his brother as being the first to invent and use the word “robot”. He was critical of Hitler and Nazism and was arrested in 1939. Whilst interned he managed to write “Poems from a Concentration Camp” but died in 1945, shortly before liberation.

Escaping Hitler

Joe Stirling - Escaping Hitler by Phyllida Scrivens
Joe Stirling – Escaping Hitler by Phyllida Scrivens

Joe Stirling, A Jewish teenage escapee from Nazi Germany, whose parents died in Sobibór concentration camp, lives in Norwich and continues to tell his survival story. Recently published as “Escaping Hitler“, it is a reminder to people of the Nazi Holocaust and the triumph of the human spirit. Joe has led an interesting and fulfilling life since arriving in England and is part of the Human Library project where he regularly regales people of all ages with his wit and wisdom.

Genocide of the different and ‘deviant’

As an LGBTI person and outspoken human rights activist, I could well have ended up in a concentration camp alongside Jews, Slavs, Roma, disabled people and many more. Sexuality, mental health, religious non-comformism, criticism of the state, ethnic origin were all factors that could have had one sent to a concentration camp and/or exterminated by bullet or Zyklon B gas – as hauntingly revisited in Philip K. Dick’s novel and now Amazon series, ‘The Man in the High Castle‘. Yes, Hitler singled out the Jewish race for a very particular and poisonous genocide, but others suffered too.

Many people don’t realise that Romany gypsies, those with mental and physical disabilities, abortionists, Jehovah Witnesses, non-conformist pastors and clergy, certain intellectual opponents, communists, and tens of thousands of homosexuals were sent to concentration camps by the Nazis, of which there over 1000, possibly many times that number spread across occupied countries, at least a dozen of which were extermination camps – to remove Lebensunwertes Leben “life unworthy of life”, especially the Jews.

Hundreds if not thousands of people were experimented on by Mengele, with castration, forced sex change interventions, growth hormones. Those born different, disabled, intersex or twins, were especially targeted for his torturous experiments.

Auschwitz-Birkenau concentration camp
Auschwitz-Birkenau concentration camp

Homosexual Holocaust

Labelled vice, degenerate, a plague, gay and bisexual men, many of whom were also Jewish, ended up incarcerated, experimented on, castrated, or killed.

“We must exterminate these people (homosexuals) root and branch… We can’t permit such danger to the country; the homosexual must be entirely eliminated.” – Heinrich Himmler

Furthermore, in 1945, they were not released but transferred to civil prisons as their sexuality remained illegal until 1968/9. Paragraph 175 outlawing homosexuality had rarely been enforced until Hitler took power in 1933. Germany only apologised in 2002 to the homosexual community for what happened to them before, during and after the Second World War.

Labeled as Different, less deserving

Pink triangles, like the yellow star of David patch for Jews made by two yellow triangles, were sewn on to the camp clothes of homosexuals, but the same symbol also marked out rapists, paedophiles and other “sexual deviants”.

Black triangles were used for Roma, mentally ill, pacifists, anarchists and more. Later Roma badges were brown. Numerous other groups of people were classified, badged, and interned, or killed.

There was an outcry this week when it transpired that asylum seekers in Cardiff were being forced to wear coloured identification wristbands. If this were a music festival, and it were by age or event it would be quite different. After complaints the Clearsprings Group scrapped the policy.

Fear of difference drives prejudice. This week Trevor Phillips, former EHRC chair, has said that we should accept that British Muslims are “different” from the rest of society, and respect that, others have responded that we should not have to accept their difference.

Danube Jewish Monument, Budapest, Hungary
Danube Jewish Monument, Budapest, Hungary

A memorial, to Jews shot and dumped in the Danube in Budapest, 1945, is a poignant image that is also beginning to symbolise the plight of migrants and refugees from current wars and genocides. “Shoes on the Danube Bank” was created  by Can Togay and sculptor Gyula Pauer and shows just the left-behind shoes of the Jewish victims. Empty shoes have come to symbolise both silent protest at the Paris climate conference, and the positive response of communities to asylum seekers by offering shoes, including in Budapest.

Ethnic Cleansing not uniquely Nazi

Sadly, history and Hegel teach us that men and nations learn little and we do end up repeating the mistakes of the past. That is why the Holocaust and other genocides should be remembered. It’s easy to complain about human rights abuses and ethnic cleansing when it’s happening but wisdom is spotting the signs that it is about to happen. That means highlighting the laws and language that begin to scapegoat and marginalise, to discriminate and criminalise based upon sex, gender, faith, health, colour, race and ethnicity.

We can already see it in the political invective against “a bunch of migrants” (David Cameron in PMQs today), Donald Trump and Sarah Palin’s calls for American Muslim expulsion, and in the extremist cleansing by Islamic State of Yazidis, Christians, gays and non-Sharia Muslims. Meanwhile Syria continues its own purge, Turkey, Saudi Arabia subtly try to target Kurds and Shia, Israel treats Arab Israelis and Palestinians as second class.

Remembrance may avoid Repetition

As Santayana said, “Those who cannot remember the past are condemned to repeat it.” Sadly, most often, history teaches us that we do forget, repeat, and only learn from it after exhausting all other possibilities, as Aldous Huxley, Hegel, George Bernard Shaw and Abba Eban, all said in various ways.

“The most effective way we can combat this intolerance and honour those who survived and those who perished is to call on each other to do what the survivors have already done, to remember and to never forget.” – Steven Spielberg

We need to remember the Nazi Holocaust, Stalin’s similarly large-scale ethnic expulsions in Russia, state eugenics policies, Polpot’s purge in Cambodia, Rwanda, Bosnia, or the ethno-religious cleansing policies of ISIS or Boko Haram, and many more genocides and democides besides. It has happened more than once before and could, if not, is, happening again. That is why we remember Holocaust Memorial Day, so as not to repeat.

“First they came for the Communists
And I did not speak out
Because I was not a Communist
Then they came for the Socialists
And I did not speak out
Because I was not a Socialist
Then they came for the trade unionists
And I did not speak out
Because I was not a trade unionist
Then they came for the Jews
And I did not speak out
Because I was not a Jew
Then they came for me
And there was no one left
To speak out for me.”  – Pastor Martin Niemoller

 

 

Lemmy of Motorhead and Hawkwind draws Dead Man’s Hand Ace of Spades

Motorhead’s Lemmy, dies at 70

Lemmy Motorhead
Lemmy by MarkMarek Licensed under CC BY-SA 3.0 via Wikimedia Commons

After the death of Motörhead drummer Phil ‘Philthy Animal’ Taylor last month at 61 and amidst rumours of the passing of guitarist Phil Campbell this month, frontman and founder Lemmy has lost life’s last gamble to cancer, aged 70. Over 50 years playing in bands, nearly 40 with Motörhead, he’d played alongside Jimi Hendrix and the Hollies, with the latter his “drummer succeeded in being a complete cunt and destroyed the stage under himself and fell into the hole!”

Asked just weeks ago when he was going to die, Lemmy said he was sick of the question:

“Death is an inevitability, isn’t it? You become more aware of that when you get to my age. I don’t worry about it. I’m ready for it. When I go, I want to go doing what I do best. If I died tomorrow, I couldn’t complain. It’s been good.” – Classic Rock

Motorhead logoHe lived life full throttle, at speed, at times on speed or acid. He argued for the legalising of heroin to get the dealers off the street. He was “sex, drugs and rock’n’roll” incarnate, for he never saw Motörhead as a Metal band, but a full-on Rock band.

“Very basic music – loud, fast, city, raucous, arrogant, paranoid, speed-freak rock n roll. It will be so loud that if we move in next door to you, your lawn will die“.

He played and sang in Hawkwind splitting over “pharmaceutical differences”! He then formed his own band so that “no-one can fire me again”, calling it Bastard before renaming to Motörhead – “US slang for someone who takes speed and also the title of the last song he had penned for Hawkwind.”

Motorhead, The Ace of Spades

Playing, touring and recording to the end, the band produced 21 albums including their most famous – Ace of Spades, in 1980.

Poker’s Dead Man’s Hand is reputed to have contained the Ace of Spades, Ace of Clubs and a pair of Eights, Wild Bill Hickok’s last hand as he died from gunshots. He was once described himself as “unchanging, unflinching- a gunslinger surrounded by mice“. The lyrics of the title song included the words:

Motorhead Ace of Spades
Motorhead – Ace of Spades

“If you like to gamble, I tell you I’m your man,
You win some, lose some, all the same to me,
The pleasure is to play, makes no difference what you say,
I don’t share your greed, the only card I need is
The Ace Of Spades

Playing for the high one, dancing with the devil,
Going with the flow, it’s all the game to me,…

You know I’m born to lose, and gambling’s for fools,
But that’s the way I like it baby,
I don’t wanna live for ever,…

Lemmy played hard and fast with life, after drawing the cancer diagnosis card on Boxing Day he was dead two days later.

Lemmy Quotes on Religion

Lemmy first performed in a band called The Motown Sect in Manchester then Reverend Black and The Rocking Vicars dressed as a cleric, his biological father had been an RAF Chaplain and vicar, but he had no time for religion himself, indeed:

“the way [his father] behaved put me off religion for life. He ran off and left my mother and I didn’t see him for 25 years…[he was] kicked out of the church”.

He didn’t hold back on telling people the truth as he saw it, even if it upset people.

“The only interesting thing about religion is how many people it’s slaughtered. Communism and Nazism are religions as well, make no mistake about it.” – interview with Louder Than War

“Religion is stupid anyway. I mean, a virgin gets pregnant by a ghost! You would never get away with that in a divorce court, would you?” – interview with Radio Metal

Lemmy might have agreed with Kurgan in Highlander (1986), speaking to a priest and church congregation:

“I have something to say! It’s better to burn out than to fade away!”

RIP Lemmy Kilmister, and Motorhead?

Lemmy lived loud like Motörhead’s sound, “born to lose but lived to win” according to his bandmates. He had no regrets.

“If I have to die and be on my deathbed regretting decisions I made, I’m not interested in that…I don’t do regrets. Regrets are pointless. It’s too late for regrets. You’ve already done it, haven’t you? You’ve lived your life. No point wishing you could change it.”

During a Motörhead tour of Finland in 1988, he was asked by a  journalist why he had kept going for so long, even back then: “We’re still here,” he replied, “because we should have died a long time ago but we didn’t.” He,  and more than likely Motörhead, now have.

 

Robin Williams RIP, Laughter, Tears, Memories, Depression, Suicide, Understanding

Saddened, shocked, but not sure I was surprised. Such was the sudden news of Robin Williams‘ apparent suicide at 63 that the Internet was awash with rumours last night that it was a ruse, a fake story. Details emerged overnight (British time) that he had indeed been found dead at home in Marin County, California, apparently having taken his own life. The latest information is that “Marin county sheriff’s department lieutenant Keith Boyd confirmed that Williams was discovered hanged, and had apparently attempted to cut his wrists.”

Owing to considerable empathy with his bipolar depression, this is a  tough article to write in memoriam to the wonderful Robin Williams, who I first watched aged 11 when he appeared as the alien Mork. Sadly he has returned to his home planet and left us the poorer, but we have over a 100 films and thousands of laughs to remember him by and the challenge to understand mental illness better over our lifetimes.

Update (11 August 2015): It is now a year to the day that Robin Williams passed on and he still makes me laugh and cry in equal measure and continues to inspire whether in life or role.

Films and Characters

Robin Williams at Happy Feet 2 Last night I was preparing to watch The Birdcage film with my partner and a friend. We never got round to it, though I’d loaded it into the DVD up to the opening scene. It’s now set for a memorial movie night with the memorable Armand. He was so versatile, able to play funny, straight, sad, young, old, real, fantasy, even a penguin or two in Happy Feet as the voices of Ramón and Lovelace.

Of his co-star in Happy Feet Two, ‘La Toti’ Sofía Vergara, Williams said “I’d walk 50 miles in the snow just to stand in her garbage … and I cleaned up that line!”

Williams appeared in over 100 films, as well as television and theatre, so versatile were the roles that he played. Whether as Mork or Peter Pan, he always looked like he would never grow up and would live forever – one reason we, as adoring fans, all feel the wrench of his going now.

Perhaps, most memorable for me, was Mrs Doubtfire, and the agony of a father doing anything to get close to his kids. Its long-posited sequel Mrs Doubtfire 2 will presumably now no longer be made.

He was scheduled to appear in several unfinished films, but one that just made it to completion and was screened this summer at the Los Angeles Outfest Film Festival is Boulevard (2014) in which he plays an older married man coming to terms with his secret homosexuality.

Another inspirational film for me was Dead Poets Society (1989), as I always wanted to be a maverick motivational teacher, much as my own inspired English teacher was when I was 13 – he’d sit on the desk and read to us Kafka, Tom Sharpe and Shakespeare rather than setting us essays. In the film Williams, plays Keating the English teacher, who challenges the pupils to see the world in different ways, standing on their desks, ripping pages from books that deadened poetry, encouraging them to carpe diem, “seize the day” and call him “O Captain! My Captain!” in reference to Walt Whitman’s 1865 poem about the death of Abraham Lincoln.

“It is some dream that on the deck,
You’ve fallen cold and dead.
My Captain does not answer,
his lips are pale and still;

My father does not feel my arm, he has no pulse nor will;
The ship is anchor’d safe and sound, its voyage closed and done;
From fearful trip, the victor ship, comes in with object won;

Exult, O shores, and ring, O bells!
But I, with mournful tread,
Walk the deck my captain lies,
Fallen cold and dead.”

Waiting for Godot

Williams appeared with his friend Steve Martin in a much acclaimed limited-run production in 1988 of Samuel Beckett’s Waiting for Godot. A review said that “As the earthbound Estragon, Robin Williams is the same Robin Williams we have come to know and love for his manic intelligence, comic body language and perfect sense of timing. In this part, he is in bad need of a shave. Between convulsions, he gives unmistakable signs of a soul in puzzled torment.”

The play is about two down-in-the-dumps men waiting for someone, possibly God (though denied by Beckett), to show up. Being unable to think of a good reason to leave, it becomes an eternal and continually disappointed wait. Williams’ real life “puzzled torment” and wait is over and he has decided to leave us. A brave choice – a phrase that some people will not be comfortable with, but one that echoes my own experience, though I’m glad I survived now.

Stand-Up Comedy

Robin Williams performing stand up comedyWilliams began his stand-up comedy career in the mid to late 1970s, around the same time as his first film role in 1977 and appearance as Mork in Happy Days (1978) which led to the spin-off series, Mork and Mindy, which was hugely ad-libbed.

In the Happy Days Season 5 episode, “My Favorite Orkan”, Williams, as Mork, tries to kidnap Richie and take him back to his planet but is foiled by the Fonz. Originally a dream sequence, it was so popular that it was edited so as to be real and allow for the character of Mork to have wiped their memories and reappear in Mork and Mindy as an exiled alien from the planet Ork where humour is banned. Oh Shazbot! Mork showed up again in a retrospective episode of Happy Days, “Mork Returns”.

In 2004, he was voted 13th on Comedy Central‘s list of the “100 Greatest Stand-ups of All Time”. It was his improvisation that got him the role of Mork, standing on his head at the audition. Ad-libbing often led to film and television scripts adapting to him, rather than him sticking to the lines. Much of his role as the genie in the animated film Aladdin (1992) was improvised.

In 2009 Robin Williams conducted a delayed 26-city US comedy tour called Weapons of Self-Destruction, aimed at George Bush, rather than himself. He was hospitalised that year for heart surgery after announcing the tour in 2008. In 2010 he performed the show in Canterbury, New Zealand, and donated all the proceeds to the Red Cross and post-earthquake rebuilding projects.

I’ve often heard the phrase “the funny man of comedy” used of Williams, but aren’t all comedians meant to be funny? To me it means someone who can laugh at situations rather than make jokes by taking someone down. The irony is of course that the funny man who appeared in Happy Days was an unhappy man.

Me with the black dog of depression aka Raven who delivered unconditional cuddles when I was battling suicide
Me with the black dog of depression aka Raven who delivered unconditional cuddles when I was battling suicide

Just because someone can make us laugh, does not mean that they can make themselves happy. The daily battle with the black dog of depression and for Robin, at least, the associated ‘demons’ of drug and drink addiction, lifts momentarily in the manic moments of humour and comedy, but returns like a fog blanket blocking out the sun. Judgements of his addictions are insensitive, for those who’ve experienced depression, know full well that it can lead to other behaviours in order to survive or end the feelings of depression. Concert pianist James Rhodes called depression a cloak of lead, a toxic second skin“:

“Depression is like being forced to wear a cloak made of lead. You don’t get to choose when to put it on and take it off. It is a second skin which gradually seeps into your own, real skin and poisons it until you are a walking, toxic, corrosive bundle of infectious awfulness. The thought of suicide is the only real respite and the only chink of light at the end of the tunnel.”

Robin Williams was funny, depression is not, though he laughed at his own “demons”, drink and drug addictions, which had returned to afflict him in the last few months. But that doesn’t give us the right to laugh at his life, troubles or choices.

I’ve done stand-up comedy and did a whole set on my own suicide attempt, it was dark and dead pan. Someone even thought I’d made it all up and commended my ‘acting’. In fact, it was the truth, often stranger than fiction, and my own surviving suicide and finally wanting to be alive again that enabled me to laugh at death and make fun of myself. That is not for others to do though. Doubly insensitive and offensive is the joke on Twitter I’ve seen about it now being an ideal time for Kellie Maloney (the transitioning Frank Maloney) to audition for Mrs Doubtfire 2, now that Robin is dead.

Others have taken to the web to say that they have no sympathy for those who take their own life, or suffer from alcohol and drugs addictions. The Guardian has had to moderate and delete about 10% of the comments on the report of his death. I’ve read of people on Facebook calling it “the pussy way out”. So wrong. Suicide is often a decision to end not only self-torment but to end being a burden to others. It can take courage and bravery to attempt it, it is not a coward’s way out as Fox News‘ breaking news editor and anchor Shepard Smith called it, it is the last straw for someone who is tired of fighting for survival every day. I’m not encouraging suicide, but I am saying stop judging it and view the person who has gone as now at peace.

Stephen Fry“How can someone so well-off, well-known and successful have depression?”. This was said of Stephen Fry, but is doing the rounds about Robin too. Fry references an article by Alastair Campbell in which “he suggested changing the word ‘depression’ to ‘cancer’ or ‘diabetes’ in order to reveal how, in its own way, sick a question, it is. Ill-natured, ill-informed, ill-willed or just plain ill”.  Fry writes about feeling sad, lonely, depressed, suicidal and the rights to seemingly illogically having those feelings.

“If you know someone who’s depressed, please resolve never to ask them why. Depression isn’t a straightforward response to a bad situation; depression just is, like the weather. Try to understand the blackness, lethargy, hopelessness, and loneliness they’re going through. Be there for them when they come through the other side. It’s hard to be a friend to someone who’s depressed, but it is one of the kindest, noblest, and best things you will ever do.” – Stephen Fry

Even when surrounded by loved ones, depression is a lonely disease, but having a partner or friend around has saved me from acting on suicidal feelings more than once in the past. It was when all alone, in the darkest hours of the night that I attempted it more seriously.

Stephen Fry on depression

“I used to think the worst thing in life was to end up all alone. It’s not. The worst thing in life is to end up with people that make you feel all alone” – Robin Williams

Very often there are no answers or solutions, and there should certainly be no judgements for what is in cause or effect a chemical imbalance in the brain. I’ve suffered from depression for over a decade and for the last 2 years been under investigation for a variant of bipolar or cyclothymia, Mood Affective Disorder. Fry has cyclothymia and whilst Williams never regarded himself as fully diagnosed, many clinicians think he had depression and Bipolar Affective Disorder.

Whilst the label may help with gaining the right support and treatment, it is irrelevant to how we treat people with the symptoms of the varieties of depression and addiction. We have not lived their life, seen inside their mind, and therefore do not know the balance of accountability for their own actions and suffering under the weight of seemingly intransigent conditions that afflict people indiscriminately and unfairly.

Depression disables, debilitates, and is often met with misunderstanding that you can do something about it by pulling yourself together, getting out more, getting up or some such chivvying coaching. Similarly, with suicide, the offers to “talk to me” before you try it next time, or of it being a “selfish way out” that hurts others, are ignorant, even if often well meant, thoughts. Suicides can be planned or spontaneous, cries for help or calls for the help and feeling a burden on others to end, persistent or momentary feelings of the need for it all to stop, the feeling of powerlessness or the only way to take control.

Dean Burnett in the Guardian called it a “staggering ignorance of mental health problems” to refer to suicide as a selfish act. Suicide and depression are not selfish. Williams had access to the best help around, but he was the “clown that could not be fixed“, as Simon Jenkins writes:

“There was no help that Williams and others like him could not and did not receive. It failed. All illness is a great leveller, but none levels like mental illness. It remains the poor relation of medicine. Research is paltry. Therapies are halfhearted. Drugs are primitive.”

One-in-four of us will get a depression related illness. Yet it receives a small percentage of even 1/40th of the medical research and treatment budget.

Family

Robin Williams’ favourite children’s book was CS Lewis’ The Lion, The Witch and The Wardrobe which he would read out loud to his kids. Famous for his funny voices, when reading it to his daughter, named after Princess Zelda from The Legend of Zelda computer game series, she said “Don’t do any voices. Just read it as yourself.” One of the hardest things in life is to be yourself.

His third wife and now widow, Susan Schneider, said:

“I lost my husband and my best friend, while the world lost one of its most beloved artists and beautiful human beings. I am utterly heartbroken.”

Robin Williams Good Will Hunting Real Loss

Tributes

Fellow actor and comedian Steve Martin, tweeted that he “could not be more stunned by the loss of Robin Williams, mensch, great talent, acting partner, genuine soul.” ‘Mensch’, whilst simply meaning “human being” is a Yiddish idiom for a genuinely good person, a real “stand-up guy”.

Barack Obama, in offering condolences, referred to Williams as “one of a kind”:

“Robin Williams was an airman, a doctor, a genie, a nanny, a president, a professor, a bangarang Peter Pan, and everything in between. But he was one of a kind. He arrived in our lives as an alien – but he ended up touching every element of the human spirit. He made us laugh. He made us cry. He gave his immeasurable talent freely and generously to those who needed it most – from our troops stationed abroad to the marginalized on our own streets. The Obama family offers our condolences to Robin’s family, his friends, and everyone who found their voice and their verse thanks to Robin Williams.”

Tributes will continue to flood in from fans, friends and fellow entertainers, Sarah Silverman described him as “pure love” and Stephen Fry sad he was “so so kind”.

At one point over half the trending tags on Twitter were Robin Williams related including #RobinWilliamsWillLiveOnForever.

George Takei said “May the heavens be brightened with your singular glow” and several have commented on Twitter saying that now he can make God laugh. Friends have expressed sadness, referenced mental illness and one wrote “I can’t believe Mindy is Morkless”, an apt end for how it all began back in 1978.

Gifted, manic, funny, sad, tormented, lost to us, but now at peace. RIP

[This article is an expansion of one first published here]

RIP Rik Mayall aka (P)Rick of the Young Ones, Comic Strip, New Statesman, Blackadder…, 1958-2014

“This house will become a shrine, and punks and skins and rastas will all gather round and hold their hands in sorrow for their fallen leader. And all the grown-ups will say: “But why are the kids crying?” And the kids will say: “Haven’t you heard? Rik is deadThe People’s Poet is dead!”” – The Young Ones  
 

“Bum”, I mean “Bottom“, Rik Mayall has died a Young One at just 56, the B’stard. The near-30 year married family man was a comedy genius and genuine talent. He will be sorely missed and was working right up to the sudden end, despite his own near-death experience on a quad bike back in 1998 that left him in a coma for days and with epilepsy. Ironically, his most recent project was a Lupus Films/Channel 4 animated comedy about the joys of being dead – “Don’t Fear Death“!

Death “is your passport to complete and utter freedom. No pulse, no responsibilities. Carpe mortem – seize death”

Mayall and Ade Edmondson were contemporaries at Manchester University – where they also met writing partner Ben Elton, and performed together as 20th Century Coyote, their first performance was an improv called “Dead Funny“. As members dropped (not dead) off, the comedy group became a duo, renamed to The Dangerous Brothers, and shifted to London’s Comedy Store, where Alexei Sayle compered. Later they started their own comedy club, The Comic Strip Club, which ran out of Soho porn baron Paul Raymond’s Revue Bar, whilst conventional adult strip acts performed on the other two stages. This is also where they met Dawn French and Jennifer Saunders, who Edmondson later married in 1985.

Comic Strip Presents Complete CollectionTogether they formed the TV series “The Comic Strip Presents…” which ran from 1982, 5 years before French and Saunders aired as a separate series. Their first episode was a parody of Enid Blyton’s Famous Five adventures as “Five Go Mad in Dorset“.

In 1981 Mayall played “Rest Home” Ricky in Richard O’Brien’s Rocky Horror Picture Show follow up musical film: “Shock Treatment“. Curiously, Rik has managed to play a Rick, a Ricky and also a Richie, aka Richard Rich in Filthy Rich & Catflap (1986).

In 1991 he got to play a Fred, the eponymous mischievous imaginary friend in the film “Drop Dead Fred“. He also squeezed in a Micky in “Eat the Rich” (1987), a Mathias in “Little Noises” (1991), a Marty in “Bring me the Head of Mavis Davis” (1997) and a Mario in “Eldorado” (2012). Not to mention the voice of Prince Froglip in “The Princess and the Goblin” (1991) and Mr Toad in “The Wind in the Willows” (1995).

Another animated character he played was was the voice of Kehaar in the series version of “Watership Down” (1999) and Edwin the Eagle in the spellbinding “Shoebox Zoo” (2004-5). He also played an unnamed man in the pub in “An American Werewolf in London” (1981). In 2000 he managed to play character opposites Robin Hood in “Blackadder: Back & Forth” and King Herod in “Jesus Christ Superstar“!

Rik Mayall as Rick in The Young Ones
Rik Mayall as Rick in The Young Ones

The Young Ones first aired in 1982, the BBC was not entirely convinced, but went ahead to compete with the emerging popularity of Channel 4. Spike Milligan, commenting on Mayall’s farting, nose-picking “Rick”, described him as the “arsehole of British comedy”. (Quoted in McSmith, Andy, No Such Thing As Society: A History of Britain in the 1980s, Constable & Robinson, p149)

Until then most successful comedians and comedy writers had emerged from establishment universities like Oxford and especially Cambridge. Richard Curtis and Rowan Atkinson stemmed from Oxford, whilst Cambridge and its Footlights Theatre produced talent that went on to make Monty Python, The Goodies, Yes Minister, Bremner, Bird and Fortune, Alas Smith and Jones, Fry and Laurie, Newman and Baddiel, Punt and Dennis, and more recent acts like Mitchell and Webb, Armstrong and Miller, Mel and Sue.

Rik portrayed the crude, pompous poet, anti-establishment anarchist and redbrick university sociology student, “Rick” with great energy and voracious vulgarity. In the “Bambi” episode, somehow the four students end up on University Challenge, appropriately competing against Footlights College.

Young Ones Bambi Prick Wiki
The Young Ones “Bambi” episode

On the show Rick’s namecard has a scrawled ‘P’ added to it and Vyvyan jokes that his name has a silent ‘P’ before it. In the same episode Neil reads out graffiti from Rick’s ‘O’ Level History text book – “Prick is a wonker – signed, the rest of the class”, although Rick dismisses this as classroom banter until Neil then reads out a further scribble – “I agree with the rest of the class – signed teacher”.

“I live on the limit, Vyvyan. The limit, because I’m a rider at the gates of dawn and I take no prisoners!” – Rick in The Young Ones

For all his character’s pseudo-anarchy Rick seemed to have a conservative background and was a Cliff Richard fan. He didn’t seem to know much about the politics he claimed to believe in and was a lazy socialist, in terms of political theory.

“If you’re a wild eyed loner at the gates of oblivion then hitch a ride with us, because we are riding on the last freedom moped out of nowhere and we haven’t even told our parents what time we are coming home…” from the introduction by Rick to Cliff Richard’s “Living Doll” for Comic Relief  (1.5m views)

 

It was no surprise when Rik evolved Rick into slimy sleazy scheming Conservative politician Alan B’Stard in The New Statesman, which ran on ITV from 1987 to 1992 for 4 series. I completely forgot that Vyv’s surname was also Basterd in the Young Ones.

New Statesman DVD

Rik Mayall also reprised Alan B’Stard MP, or rather PM, in a political advertising campaign by the No2AV group in 2011. Parodying David Cameron and Nick Clegg entering into coalition and office together he promised no tax or tuition fees, free housing and electricity, and then gleefully burnt the manifesto and its promises.

“You know the really great thing about a fudged coalition is that neither of us need to carry out a single promise of our election manifestos.”

Rather than The People’s Poet, the People’s Prophet, perhaps?

 

At the same time as the New Stateman was airing Rik also popped up in Blackadder II and Blackadder Goes Forth, playing the loud lecherous bragging Lord Flashheart.  In 2006 he returned to the nobility as Lord Reginald in “SpongeBob SquarePants” (2006).

Whilst Flashheart was crude in an upper class slimy sexist way, Rik returned to the gutters again for “Bottom” (1991-1995). Mostly containing scenes of frying pan bashing and slapstick violence akin to classic Laurel and Hardy or old Warner Bros cartoons. For all its base comedy, Rik and Ade had acted together in Waiting for Godot in 1991 and created Bottom as a crude take on the play. The characters, again a Richie, Richard “Richie” Richard, and Edmonson playing flatmate Eddie Elizabeth Hitler, went on to appear in four series, a film “Guest House Paradiso” (1999) playing Richard Twat, and a touring stage show – “Bottom: Live“, which left them in hospital, on occasion! Bottom last toured in 2003 but the 1997 stage version, “Bottom Live 3: Hooligan’s Island” nearly made it back to our screens in 2013, but was cancelled due to competing projects that Ade Edmondson wanted to pursue.

One of my favourite banal Bottom scenes from Season 2 Episode 2, bemoaning what to do in the absence of television…

Richie: What about “Pin the Tail on the Donkey”?
Eddie: We haven’t got a donkey.
Richie: Well, “Pin the Tail on the Chicken”
Eddie: We haven’t got a tail.
Richie: Oh. Well, “Pin the Sausage on the Chicken”?
Eddie: We haven’t got a chicken.
Richie: (Annoyed) Well, “Pin the Sausage on the Fridge”.
Eddie: Or a pin.
Richie: (Angrier) “Sellotape a Sausage to the Fridge”!
Eddie: We haven’t got a sausage!
Richie: (shouting) “Put a Bit of Sellotape on the Fridge”!
Eddie: (Beat) It’s not much of a game, is it?
[Richie and Eddie have just played stick a piece of sellotape on the fridge. Eddie won]
Eddie: Who won?
Richie: Ha ha ha ha. Eddie, it matters not who won or lost, but how you play the game.
Eddie: Oh, you mean I won? Ha! Ha-ha. [wets his finger, draws a figure 1 in the air, waves his hands in the air]
Richie: Yes, I suppose so, yeah, I mean if it’s so important to you, yes. Yes, you did win. I mean for Heaven’s sake, Eddie, it’s only a game! [walking away, to himself] Shit, shit

 

Waiting for Godot, was not his only conventional acting role, he also made a “brilliant debut” as Ivan in Gogol’s The Government Inspector at the Olivier Theatre in 1985. Indeed, The Telegraph ran an article back in April this year on the 2012 film Eldorado, “the worst film ever made…weapons-grade awful”, in which Mayall played a Verdi-singing, cannibalistic chef, Mario – in contrast to the dire film, his scene stood out as “fairly watchable”!

During the 2000s Mayall was marketed by Playstation on games and ads, to be seen as more “edgy” over Sega‘s success. The money he made from this bought him a house which he jokingly named “Nintendo Towers“.

Such a shame, that like Faulty Towers there were just 12 episodes of the Young Ones, a 1980s classic “sign of the times” series – it always felt like there were many more, I wish there were, and now there won’t be a comeback series as The Old Ones, perhaps “only the good die young”. The Young Ones page on Facebook has nearly a million likes.

Ade Edmondson had this to say of his long time friend and creative collaborator:

Ade Edmondson on Rik Mayall RIP

“There were times when Rik and I were writing together when we almost died laughing. They were some of the most carefree stupid days I ever had, and I feel privileged to have shared them with him. And now he’s died for real. Without me. Selfish bastard.”

Nigel Planer, hippie Neil in The Young Ones, described him as:

“…inspirational, bonkers, and a great life force”.

The Guardian described Mayall’s characters as “full of life” and “vast mad scribbles, jammed to the margins with noise and energy”.

The level of talent portraying anarchist poet Rick and punk revolutionary Vyvyan, and their reprised characters in Bottom is clear when one realises that both men went on to conventional marriage and fatherhood. They both married in 1985 and had 3 kids each. Prior to, and overlapping, that, Mayall had been in a relationship with Lise Mayer, co-creator and writer of The Young Ones, and who is now married to Angus Deayton. He leaves behind his wife, Barbara Robbin, and three children, who if they were ever told how to behave after seeing daddy in The Young Ones and Bottom, must have been a struggle to get to behave!

Bonnie Mayall, Rik’s youngest daughter, posted on Facebook:

“We will never forget him and neither will the world, R.I.P to the man, the myth, the legend – my wonderful, generous, foul mouthed and hysterical father.”

For a man whose career went from “Dead Funny” to “Don’t Fear Death” via a near-death experience in 1998, Rik Mayall died full of life, love and laughter. He leaves behind a comedy legacy that will keep us laughing for many years to come.

[An earlier version of this article appeared here]

 

 

RIP Gabriel Garcia Marquez, Magical Realist, Nobel Prize novelist, author of 100 Years of Solitude

The colourful Colombian Nobel novelist Gabriel García Márquez died in April at the ripe old age of 87 at his home in Mexico City. Although solitude was a recurring theme in his novels he leaves behind his wife of 56 years and two children. Gabriel José de la Concordia García Márquez, or Gabo, was born in March 1927 and at 45 he won the Neustadt International Prize for Literature and at 55 the Nobel Prize in Literature. He started out in law, but abandoned that for journalism and work as a foreign correspondent. He wrote for Bogotá’s El Espectador newspaper in the 1940s.

His literary style has been termed magical realism, a style that began in Latin American/Hispanic writing and which contains fantasy or unnatural elements in otherwise commonplace, mundane ordinary life. Think, Guillermo del Toro movies! No, not, Kung Fu Panda 2 but perhaps Pan’s Labyrinth (2006) or Cronos (1993). Surrealism, symbolism and subtle historical satire also make regular appearances as if works of surrealist art rendered in literary form.

As a result of this Spanish-language literature emerging from South America in the 1960s, it has also been called the Latin American Boom with such literary giants as Julio Cortázar, Carlos Fuentes, Mario Vargas Llosa and Gabriel García Márquez being key figures in its development and global renown.

Gabriel Garcia Marquez One Hundred Years of SolitudeHis most famous novel was One Hundred Years of Solitude (“Cien años de soledad”), published in 1967, and declared by a NY Times review to be “required reading for the entire human race” and the Guardian as “kaleidoscopically, mysteriously alive”. It has been translated into more than two dozen languages and sold tens of millions of copies.

“It’s just a small thing to even call it a book. It is a whole universe that’s been created that you’re being asked to step into.” – Patricia Smith, Associate Professor of Creative Writing, City University of New York

The book begins with the family patriarch’s scion, the now Colonel Aureliano Buendía, looking back on his childhood whilst facing a firing squad. Very evocative of an older era of Hispanic revolutionary times. The description of the early village settlement of Macondo, nestled on the bank of a river containing “polished stones…white and enormous, like prehistoric eggs. The world was so recent that many things lacked names…” is Edenic and utopic. Then comes the mysterious Melquíades and his gypsies, inventions, alchemy and a secret manuscript that would remain undeciphered for 7 generations of the somewhat doomed to repeat history family – another Latin American trait, fatalism. As his biographer Gerald Martin told AP it was “the first novel in which Latin Americans recognized themselves, that defined them, celebrated their passion, their intensity, their spirituality and superstition, their grand propensity for failure”.

Salman Rushdie described it as the “greatest novel in any language of the last 50 years”, but it wasn’t just any language, it was Spanish – a language almost as suited as English to passionate expression, with so many evocative words and idioms. It is said that English has perhaps twice as many words at its disposal but that “doesn’t mean that it can’t be just as expressive as English; sometimes it is more so.”

“One feature that Spanish has when compared to English is a flexible word order. Thus the distinction that is made in English between “dark night” and “gloomy night” might be made in Spanish by saying noche oscura and oscura noche, respectively. Spanish also has two verbs that are the rough equivalent of the English “to be,” and the choice of verb can change the meaning (as perceived by English speakers) of other words in the sentence. Thus estoy enferma (“I am sick”) is not the same as soy enferma (“I am sickly”). Spanish also has verb forms, including a much-used subjunctive mood, that can provide nuances of meaning sometimes absent in English. Finally, Spanish speakers frequently use suffixes to provide shades of meaning.”

I remember trying to read a Márquez novel in a post-A level Spanish literary class, and needing a dictionary constantly in hand. Though that interrupted the the flow of the narrative and slowed the comprehension, I was no less enthralled by the beauty and colour of the language, readily understood or not.

Márquez has been described as “the most popular Spanish-language writer since Miguel de Cervantes in the 17th century” and as having “outsold everything published in Spanish except the Bible.”

Upon accepting the 1982 Noble Prize for Literature, Márquez situated his fictional writing firmly in the real, the political, the crucible of civil wars, revolutions, exiles, people ‘disappeared’, “between reality and nostalgia was the raw material for my work”:

“The country that could be formed of all the exiles and forced emigrants of Latin America would have a population larger than that of Norway. I dare to think that it is this outsized reality, and not just its literary expression, that has deserved the attention of the Swedish Academy of Letters [Nobel committee]. A reality not of paper, but one that lives within us and determines each instant of our countless daily deaths, and that nourishes a source of insatiable creativity, full of sorrow and beauty, of which this roving and nostalgic Colombian is but one cipher more, singled out by fortune. Poets and beggars, musicians and prophets, warriors and scoundrels, all creatures of that unbridled reality, we have had to ask but little of imagination, for our crucial problem has been a lack of conventional means to render our lives believable. This, my friends, is the crux of our solitude.”

The opening lines of Love in the Time of Cholera (“El amor en los tiempos del cólera”, 1985) are literally bittersweet:

“It was inevitable: The scent of bitter almonds always reminded him of the fate of unrequited love…his most sympathetic opponent in chess, had escaped the torments of memory with the aromatic fumes of gold cyanide.”

Gabriel Garcia Marquez Love in the time of choleraWritten 18 years after One Hundred Years of Solitude, Love in the Time of Cholera is less fantastical but no less magical. Described as “a compelling exploration of the myths we make of love” by Barbara Hoffert, in the Library Journal, and the Independent wrote of it that “Few have written so passionately about the power of love”. The Daily Telegraph said of Márquez’ writing, that it was “Quite the nearest thing to sensual pleasure that prose can offer.”

In all the apparent hopelessness of Latin American existence, he, nonetheless, writes of a triumph of hope over experience and celebrates love in its many forms, including lovesickness, and at every age, even in the twilight of our lives. He reached the twilight of his existence and will remain loved by his family, fellow Latin Americans, and avid readers from most every nation alive.

Colombian president Juan Manuel Santos said of Márquez that he was Colombia’s “most loved and admired compatriot of all time” and has announced three days of official mourning.

[This article was first published here]

Novels

  • In Evil Hour (1962)
  • One Hundred Years of Solitude (1967)
  • The Autumn of the Patriarch (1975)
  • Love in the Time of Cholera (1985)
  • The General in His Labyrinth (1989)
  • Of Love and Other Demons (1994)

Novellas

  • Leaf Storm (1955)
  • No One Writes to the Colonel (1961)
  • Chronicle of a Death Foretold (1981)
  • Memories of My Melancholy Whores (2004)

Short Story Collections

  • Eyes of a Blue Dog (1947)
  • Big Mama’s Funeral (1962)
  • The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother (1978)
  • Collected Stories (1984)
  • Strange Pilgrims (1993)

Non-fiction Books

  • The Story of a Shipwrecked Sailor (1970)
  • The Solitude of Latin America (1982)
  • The Fragrance of Guava (1982, with Plinio Apuleyo Mendoza)
  • Clandestine in Chile (1986)
  • News of a Kidnapping (1996)
  • A Country for Children (1998)
  • Living to Tell the Tale (2002)

 

The legacy of Sue Townsend, social commentator, book-lover, author of Adrian Mole and his Secret Diary

Adrian Mole Secret Diary Sue Townsend book cover montage
A montage of just some of the Secret Diary of Adrian Mole book covers over 30 years by Sue Townsend

Sue Townsend (1946-2014), creator of Adrian Mole, aged 13¾, has died of a stroke, aged 68. Despite failing her 11-plus exam, leaving school at 15, and being a three-child single mother by 23, she went on to write 17 books, 11 plays and receive half-a-dozen awards including two honorary doctorates. She shared the Freedom of Leicester, where she was born and based the Adrian Mole books, with Leicester-raised singer Engelbert Humperdinck. Her humble writing roots were not dissimilar to JK Rowling’s and she wrote for 20 years before being published. The first volume of Adrian Mole’s Diary was written was working 3 jobs and living on Leicester’s Saffron Lane estate.

Stephen Mangan, who played the television role of Adrian Mole in 2001, said on hearing of her passing, “Greatly upset to hear that Sue Townsend has died. One of the warmest, funniest and wisest people I ever met.”

A Portuguese edition of the Secret Diary of Adrian Mole
A Portuguese edition of the Secret Diary of Adrian Mole

The Adrian Mole books described the growing pains and internal worries of a teenage boy, his loves and woes, such as glue sniffing and ending up with model aeroplane stuck to his nose! Her first book, The Secret Diary of Adrian Mole, Aged 13¾ became one of the bestselling books of the 1980s in which it was also set.

Within a decade the first book had sold in excess of 2 million copies. To date some 20 million+ copies of the books have sold, as it has spawned numerous sequels and translations, making both Sue Townsend and Adrian Mole famous.

“Perhaps when I am famous and my diary is discovered people will understand the torment of being a 13 3/4 year old undiscovered intellectual.”

Indeed, that is how Adrian saw himself, an aspiring yet unrecognised intellectual with the following catch or caveat:

“I have a problem. I am an intellectual, but at the same time I am not very clever.”

This was evidenced by his confusing “Pride and Prejudice” with “Prejudice or Pride” and not getting the association of Pandora and Box – a tenth unpublished Adrian Mole novel was to have been titled “Pandora’s Box”. Similarly he confused the genders of Evelyn Waugh and George Eliot. His mother found his poetry funny rather than deep, because “she was not an intellectual”.

“Now I know I am an intellectual. I saw Malcolm Muggeridge on the television last night, and I understood nearly every word. It all adds up. A bad home, poor diet, not liking punk. I think I will join the library and see what happens.”

Books offer both the ticket and journey out of dead-end life circumstances. Townsend saw a life littered with literature and books as an opportunity for economic, mental, and social escape.

“To unlock the heavy outer door and to walk into the hushed interior, with the morning light spilling from the high windows on to the waiting books, gave her such pleasure that she would have worked for nothing.” – Sue Townsend, The Woman Who Went to Bed for a Year

Sue Townsend, Rebuilding Coventry
Sue Townsend, Rebuilding Coventry

In “Rebuilding Coventry“, a 1988 Townsend novel about Coventry Dakin, a woman on the run in London after killing her neighbour with an action man – he was in turn killing his wife at the time, she again writes of her novels characters’ love of books:

“I’ve always loved books. I’m passionate about them. I think books are sexy. They are smooth and solid and contain delightful surprises. They smell good. They fit into a handbag and can be carried around and opened at will. They don’t change. They are what they are and nothing else. One day I want to own a lot of books and have them near to me in my house, so that I can stroll to my bookshelves and choose what I fancy. I want a harem. I shall keep my favourites by my bed.” – Sue Townsend, Rebuilding Coventry

One obituary, in the Telegraph, describes her self-taught literary Damascene journey: “the internal, secret world of books increasingly played a central part in her existence. Having started on Richmal Crompton’s Just William, she quickly graduated to Jane Eyre, and from there to Dostoevsky. ‘Jane Eyre was the first book I read right through, non-stop,’ she said. ‘It was winter, freezing cold, and I remember seeing this thin light outside and realising it was dawn. I got dressed reading, walked to school reading and finished it in the cloakroom at lunchtime. It was riveting.’ She devoured ‘all the Russians, then the French, then the Americans. I remember getting in trouble for reading The Grapes of Wrath under my desk in a boring lesson.'”

Whilst Adrian Mole’s father read Playboy he read Charles Dickens by torchlight and wanted to escape his housing estate existence and find true love with Pandora. His were the trials of a teenage boy, intellectually and sexually thwarted, at one and same time. “Somehow,” writes David Walliams, “Townsend understood what is was to be an adolescent boy better than any adolescent boy.”

“I have realised I have never seen a dead body or a real female nipple. This is what comes of living in a cul-de-sac.”

Her novels featured wry humour, social commentary on class and economic inequalities, and an independent feminism and socialism. The working classes were seen as separate to the pro-Royal “Marks and Spencer set”.

“Well, there are people and people, aren’t there? It was hardly the Marks and Spencer set, was it? Tattooed grandfathers, single parents, Alsatians, delinquents and maladjusted children. Hardly a discriminating public was it?” – Sue Townsend, Bazaar and Rummage [Gwenda speaking]  (see more on this)

Germaine Greer, The Female Eunuch
Germaine Greer, The Female Eunuch

Although she is most famous for creating a teenage boy and all his adolescent angst, it was her female characters that most reflected her own ideals. For instance, Pauline Mole, Adrian’s mother reads Germaine Greer’s “The Female Eunuch“, cuts her hair short, goes on an assertiveness course, camps out at Greenham Common and seeks to become an independent woman. Similarly, love of Adrian’s life, Pandora, wants to be a free woman yet also a feminist mum, saying:

“I should like to have one child when I am forty-six years of age. The child will be a girl. She will be beautiful and immensely gifted. Her name will be Liberty.” – Sue Townsend, True Confessions of Adrian Albert Mole

Sue Townsend, Ghost Children
Sue Townsend, Ghost Children

In 1987’s “Ghost Children” Townsend explored heavier themes of abortion, body-image, abuse, bereavement, reconciliation and redemption – quite a departure from her usual fare but no less observationally sharp.

Her books appealed to boys and girls, and adults, alike and captured a snapshot of over three decades of British social and political life from Thatcher to Blair (see the satirical “Number Ten“). The Falklands, Old and New Labour, Tony Benn, old-school Communist OAP Bert, even the break up of the SDP all featured. Adrian espoused mixed political beliefs between his desire to get a paper round so that he could afford to go private to sort out his acne and his confusion over the cult and personality of Mrs Thatcher:

“I’m not sure how I will vote. Sometimes I think Mrs Thatcher is a nice kind sort of woman. Then the next day I see her on television and she frightens me rigid. She has got eyes like a psychotic killer, but a voice like a gentle person. It is a bit confusing.”

Tony Blair did not get off lightly in the books either:

“Glenn has been excluded from school, for calling Tony Blair a twat.”

Adrian’s obsession with Tony Blair is described in excerpts from Adrian’s middle-aged diary and his description of Blair surrounding himself, not with “Blair’s Babes” but rather, “Alpha Males” such as Margaret Beckett!

“I am not a trained psychologist but I am wise beyond my 40 years and think that I have discovered why Mr Blair was so keen to become a war leader and to swagger alongside George Bush. He thought it would give him another pair of testicles and would promote him to Alpha Maleness.”

She had planned to write one or two more Adrian Mole novels, the 10th and 11th, to cover the Coalition years of the current Government.

Read more reader suggested memorable quotes from Adrian Mole in the comments section of this Guardian piece.

Sue Townsend, The Woman Who Went to Bed for Year, Sue Townsend
Sue Townsend, The Woman Who Went to Bed for Year

Her last published novel in 2012, “The Woman Who Went to Bed for a Year“, described as “a funny and touching novel about what happens when someone stops being the person everyone wants them to be.” Reviews said it was “deeper and darker than comedy” (Sunday Times) and “Bursting with witty social commentary as well as humour” (Women’s Weekly). It is a witty and wry observation on life that will be missed.

Sue Townsend, will undoubtedly be missed, despite her few critics and doubters – as evidenced in some comment threads, but most especially for her warmth, generosity and a style of satire, so eminently British, that is paradoxically both sharp and soft on its targets. She was never vicious and left enough humanity in each character she penned or real people she had her creations criticise for each reader to be left to make up their own minds. Take just a sampling of some of the endearing praise on this theme that the media has printed over the last few days:

“…a political fantasy where the Queen is invited to move to a council estate after the creation of the British republic. It’s a gentle approach, but no less powerful for that. Her humour allows you to rise above the politicians and the divisiveness. No one ever got hurt or beaten up because of a Sue Townsend novel, but their conscience was raised nonetheless.” – Bob and Roberta Smith

“A lot of modern comedy is based on cruelty and snobbery, but she found decency and even heroism in Adrian’s delusions of genius, his pointless adoration of Pandora, and his loyalty to Bert Baxter.” – Frank Cottrell Boyce

“While her satire was sharp and scabrous, she treated her characters with a warmth that made them stay with us over the years…warm, satirical style” – Luke Wright

“So funny, without ever being cruel or mocking.” – Isy Suttie

“There was also a kindness in her writing. She treated her characters – and her readers – with such humanity. Always funny, always inclusive, and never cruel.” – Leviathan212 

“She was loved by generations of readers, not only because she made them laugh out loud, but because her view of the world, its inhabitants and their frailties was so generous, life-affirming and unique.” – Tom Weldon, chief executive of her publisher Penguin Random House UK

“However, what I love most about this book is that unlike a lot of modern comedy (and yes, I am partly to blame), Townsend’s writing is full of warmth.” – David Walliams (who wrote the foreword to the 30th Anniversary edition of the Secret Diary)

“Sue Townsend did social satire without contempt and cruelty.” – Linda Grant

Remembered, but never to be forgotten. Sue Townsend – through Adrian Mole, will keep a place of affection in readers’ hearts as strong as JK Rowling and Harry Potter.

The Adrian Mole series
  • The Secret Diary of Adrian Mole, Aged 13¾ (1982)
  • The Growing Pains of Adrian Mole (1984)
  • The True Confessions of Adrian Albert Mole (1989)
  • Adrian Mole From Minor to Major (1991) including Adrian Mole and the Small Amphibians
  • Adrian Mole: The Wilderness Years (1993)
  • Adrian Mole: The Cappuccino Years (1999)
  • Adrian Mole and the Weapons of Mass Destruction (2004)
  • The Lost Diaries of Adrian Mole, 1999–2001 (2008)
  • Adrian Mole: The Prostrate Years (2009)
Other books
  • Rebuilding Coventry (1988)
  • Mr Bevan’s Dream: Why Britain Needs Its Welfare State (1989) [non-fiction]
  • The Queen and I (1992)
  • Ghost Children (1997)
  • The Public Confessions of a Middle-Aged Woman (2001) [non-fiction]
  • Number Ten (2002)
  • Queen Camilla (2006)
  • The Woman Who Went to Bed for a Year (2012)

This article first appeared here.